Comes This Time To Float

A short story by Stephen Geez

www.StephenGeez.com

Art by D. R. Wagner

Prison story,

Prison Talk

Surviving prison,
Word Count: 1,135

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When the loudspeaker called yard, #620749 grabbed a book and his tape player with Peter Gabriel cassette, then headed out to seek respite from that pathetic "bug" who shared his cell, an old man who devoted his personal time to indulging obsessive-compulsions and throwing fits over imagined slights to the respect he neither earned nor deserved. Too often lately #620749 found himself tempted to reach out mid-tantrum and smack him once or twice, but like those recovering addicts who must constantly remember the vows they made during easier times, he always managed somehow to desist. In more charitable moments he tried to feel sorry for anybody who could spend all morning gazing blankly upon cinder-block walls, then when count clears rush down to base and join the small herd that gathers an hour or more in advance of the loudspeaker calling chow. Submerged so long, now too cognition-impaired to remember up from down, that old lifer would never again find his way back to the surface.


The day proved sunny and hot, so #620749 hurried to claim some grassy patch between pine trees in a far corner of the rural compound. He studied the scene and noticed three colors of clover blooms intermixed, all methodically attended by numerous honeybees and the occasional bumble, their legs gobbed with powdery wads of pollen. Good news, this, after the honeys had nearly been decimated for so long by mites, their critical role in agriculture and wildflower propagation seriously compromised. The bee crisis likely never concerned his cellmate, but at least #620749 still cared about that world beyond the gun towers.


The raccoon he'd fed a few times appeared, watching from a drainpipe passageway, her private access encouraging unfettered visits in defiance of concertina wire and electrified fences. She liked to inch close for bits of cracker or cookie directly from his hand, eating right there within arm's reach. Nobody had taught her to fear the convicts, and to assume for no reason save circumstance and fate that surely #620749 must be as dangerous as the worst.


So while two wasps circled like wary corrections officers, he began listening to Peter Gabriel's "Washing of the Water," a resonant plea for some unspecified river to show the singer how to float. For that moment it seemed both artist and convict must understand the sensation of being caught in the water, in too deep for their feet to touch the ground.


A pine cone fell, joining scores of its fallen comrades for a martyrs' session of What now? Mushroom caps peeked through a mat of tiny blue-starred blossoms and three-leaf clovers, yearning for a taste of buttery sunshine but too mired in the dark and damp to risk expanding their horizons. He sat still so sweat bees could sniff at his legs, then let a spider hunt for prey on his shoe while industrious bugs explored his open book, their simple curiosity eclipsing the clueless oblivion of some mammalian bi-ped who's content to stare at the wall until time for the next feeding call.


Delighted by the unexpected appearance, he spied an iridescent beetle trundling along his arm, then out across his hand. Boasting a guise of chromium green, it shimmered exquisitely, shifting through a boundless spectrum of hues. #620749 relished this rather poignant moment of serendipity because the author of that novel he'd brought tended to spend a handful of words breathing life into an iridescent beetle that trundles briefly at least once through many of his tales. Now a real one had come to advocate for that smallest measure of truth found as much in fiction as song.


A trio of butterflies lifted his vision higher-first the requisite spotty white, then a traditional lemonade yellow, and finally one like he'd never seen, a vivid pattern traced in burnt orange and mottled sienna and sunrise gold. Of course, looking up also meant he could see other prisoners swarming the yard, flurries of state-issue orange stripes, their cautionary ensembles bolder even than the regal monarch's. At least the prison-banded honeybees kept to their purpose, and managed to help beautify the world, too, even absent provable intent.


So while Peter Gabriel sang of a river, #620749 gazed beyond the razor-wire, deep into the uncertainty of shifting green forests, and he noticed how the silver bands of security fence began to coruscate in the bright sunlight, looking at that moment like a crystal-clear stream flowing unabashedly through otherwise impenetrable woods. The magnificent white oak draped its mitigating shadow across the water, even as the hot sun began to liquify one solitary prisoner amid the crush, Gabriel's song pulling him into the fluid surge.


Above it all, the sky unfurled streamers of cerulean blue, and he reminded himself that penitentiaries are little more than fragile constructs clinging precariously to that thinnest of lines separating miles-thick rock from infinite space, and that the sky will always be bigger than any prison yard. Right then he knew that even from where he sat, he could simply reach up . . .


And touch the entire universe, all that's real poised right there at his fingertips.


A light breeze riffled the grass, but wads of white cloud hung motionless above the horizon-inches apart from his point of view, probably light years from theirs. Watching closely, though, he could see each moving within itself: breathing, growing, and gathering moisture as if despite being sentenced to this place for a time they refused to sit idly by and wait until the loudspeaker of some cold front thundered a call for rain.


Spotting a regal hawk, then several more, he admired how they soared and looped, rarely flapping their wings, riding whatever updrafts happened their way, diving through the downs, exuberant in their confidence another wind would come to lift them back up.


The silver fence shimmered like that mighty river cutting its determined swath through uncertain trees, and Peter Gabriel quietly finished by asking the river to bring something that would let him get to sleep, something to take this pain away.


So #620749 shut off the tape and lay back in the clover, bumblers scattering to share this space of theirs so near the ground, and he closed his eyes to listen for the water.


When he felt that liquid surge of the washing, he reached up . . .


And remembered how, no matter what, he would always be bigger than anybody's sky.


And even then, even there, he could still find ways to be free.


* * END * *

 

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The boy looked back.

It appears to be just a simple drawing, but this depiction of a child watching from the reeds of a country pond somehow frustrates and angers Geoffrey, unexpected reactions that stir Phrekka's lifelong passion for deciphering the elusive power artists conjure to infuse their creations.

Their only clue a "Sara" signature, the unemployed graphic designer convinces the enchanting Korean-American curator to help him discover more images by this enigmatic artist. From Phrekka's world of privilege and mystical spiritualism to his of heartland farms and fundamentalist values, they'll cross the country in search of the meaning beyond Sara's sketches, an odyssey to divine one extraordinary person's singular secret for touching people's souls.

But staggering revelations entangle them with issues of mortality and faith, sexuality and family violence, obligation and responsibility, deception and truth. Only by daring to look close at the dark and profane will they have any chance of coming together to create a legacy more beautiful than either ever imagined.

What Sara Saw paints exquisitely vivid portraits of two young people who must follow their hearts to recapture that innocent grace long lost to the whims of circumstance and fate.

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